Raising The Volume

A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The Super clean designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.

If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that professional touch youve always wanted, there is a good chance you will love the WA12 MKII.

Packed With Performance

The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive larger than life sound, and the WA12 MKII is more than capable of delivering.

Premium Components

The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard.

When developing the WA12 MKII our ears played a big part in the design process. Using CineMag USA transformers and an all discrete signal path ensured that the WA12 MKII would have the building blocks to compete with the best sounding preamps on the market. We are very proud to offer such a robust/professional design in a small and affordable package.

Technical Specifications

• UTILIZES PREMIUM GRADE INPUT AND OUTPUT USA CINEMAG TRANSFORMERS.

• FULLY DISCRETE DESIGN WITH A ROBUST 71DB OF GAIN.

• UTILIZES A DISCRETE 6-PIN SOCKETED 1731 STYLE OPAMP. CAN BE REPLACED WITH OTHER 6-PIN “2520 FOOT-PRINT” OPAMPS FOR VARYING TONE/FLAVOR.

• 20DB PAD.

• TONE BUTTON SWITCHES THE INPUT IMPEDANCE FROM 600 OHMS TO 150 OHMS. CHANGES THE TONE OF BOTH THE MIC AND HI-Z INPUTS.

• MIC LEVEL BALANCED INPUT: XLR.

• 2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL. SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND DISCRETE OPAMP. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1/4 OUTPUT JACK.

• BALANCED OUTPUTS: XLR AND 1/4/TRS.

• 48 VOLT PHANTOM POWER.

• LED METER GAIN INDICATION.

• OUTPUT ATTENUATION CONTROL (AFTER THE CINEMAG OUTPUT TRANSFORMER) ALLOWS FOR DRIVING THE PREAMP AND TRANSFORMERS INTO SATURATION.

• SWITCHABLE 115/230 VOLT IEC POWER INLET.

In this diagram the WA12 MKII is used as a mic preamp to capture a microphone signal which then feeds into the WA-2A Compressor. After leaving the WA-2A, the signal enters the recording interface.

In this diagram, the WA12 MKII is used as an active instrument DI to capture an electric guitar and bring the signal into a recording interface.

Note: it is important to use a line level input on your recording device as opposed to a microphone or instrument level input.